A writer’s guide to joyfully accepting criticism (on the outside) and begrudgingly learning from it (on the inside) until criticism is actually a blessing.
Step 1. You fake it. Let’s face it: nobody likes criticism. Nobody wants to be told that their baby, the thing they poured their heart and soul into, is less than awesome. But you fake it. Pretend, for your own sake, that you are one of those incredibly gracious human beings who is eager to absorb the wisdom of others as they, reserved at first, then ever so freely, destroy the thing you poured your heart and soul into, shattering your expectations, crushing any ideas you had about your own competency and raw talent, and while fighting back a variety of emotions, manage to listen, nod, and even take notes. Normally, I do not advocate faking anything. However, in this case, it’s for your own good. What this should really be called is practice. Disclaimer: No one should ever critique your work cruelly and you should never stand for personal attacks or mean-spirited judgments. What I’m talking about here is constructive criticism.
When I was 6 and first started putting pen to paper and writing down everything that came to mind, I was not looking for a critique of my work, nor was I interested in a lifetime of accepting criticism. I was just doing what I liked to do. However, once I continued down that path and voluntarily signed up for writing competitions, workshops, and a four-year degree program studying creative writing, I officially had no one else to blame. Anyone who has participated in the arts, be it music composition, visual arts, writing, or what have you, knows that at least half of the process is criticism and critique. The art itself is not complete on its own—it is only half of what’s there. In order to complete the work, it has to go out into the world and connect with another person. Thus, sending your work out to live with others, and consequently opening yourself up to criticism and judgment, is inherently part of the process. So step 2 is to accept this. Then, give it time. If you don’t already, you will grow to love this aspect of creating something new in a world where so many things are simply repeated and given a different name.
Step 3. Learn your craft. Whatever it is you do, study it closely. You need to be learning your craft intentionally. One of the bonuses of working in the arts is that we usually love what we’re doing and we’re fans of other people’s work. If you’re a songwriter, you typically love other songs, a painter, other paintings, etc. So study them. When you like something, ask yourself why. Practice critiquing other work yourself and you will have more appreciation for criticism’s benefits. Learn the history of the art form, learn the rules and the boundaries of the art form. THEN, you may start breaking those rules and boundaries. One example: don’t start abusing grammar until you know how to use it! You and your writing will be glad you studied up because then you have respect for the art form and you can better understand the work of others. Until you fully understand what the accepted “rules” are, however, you may have difficulty gaining the respect of your well-versed peers and honestly, you may miss out on a higher quality of writing that you didn’t even know you could produce until you made yourself stretch out of your comfort zone, put your nose to the grindstone, and do the hard work. You will not regret absorbing as much information as you can about your craft. You won’t.
Step 4. Actually be grateful for criticism. It may take a bit of time and like I said, practice, but you will get to the place where you yearn for a good, thoughtful workshop critique. You’ll find yourself asking “Who can rip my story/song/labor of love and work of art to shreds and generate really thought-provoking questions and advice?!” You will learn to love it because it makes you better and it helps you grow. Sometimes it will still sting, especially when there’s that phrase or scene or character or chapter you loved so dearly that you may be decide should be changed or eliminated and your heart may break a little. But through constructive criticism, not only do we learn all of the aforementioned and grow as writers and artists, but we also grow as human beings. We learn that just because we build something so carefully, that doesn’t make it perfect. We learn that there’s always room for improvement. We learn that breaking something down again and re-sculpting it may result in something far more profound that what it was initially—in retrospect, just a sketch of what the final product turned out to be. This makes us better listeners, less prideful, even more creative, better problem solvers, and less me-oriented. Instead of looking at the world and saying, “Oh, well if they don’t like it, they just don’t understand my genius, so hmph, I will just sit here and be mysterious,” we say, “Okay, let’s try again, because it is my job to be able to send this piece of my heart and mind and work out into the world to be understood by others, to move others, to teach others, to be loved by others, and if no one understands it, and my pride prevents me from making it understandable, what, then, have I really created?” We learn to love the criticism, because it helps others to connect with what we’re putting out there, because other people understanding what we’re communicating is what completes the circle and without that missing link, a work of art hasn’t fully achieved its purpose in the first place. Criticism can help you find your way, point you in a good direction, and clear your head of clutter so you are able chisel away at what’s really important.
And what of the hecklers? Well, when they have something meaningful to say, then we’ll bother with considering their opinions. We may be waiting for a while.
Rafiki’s wise so I’m using his scene. Here, he criticizes Simba’s behavior to a positive end. Click it.

